Showing posts with label digital art. Show all posts
Showing posts with label digital art. Show all posts

Wednesday, April 24, 2013

Mind Body Spirit Artist Series - Diane Clancy


Ever since I first saw Diane Clancy's stunning visual landscapes - with the beautiful little balls -  coming across by computer screen, I have been completely fascinated.  What are they?  How are they created?  What do they represent?  All I know is that once you see one, the images tend to stay with you ~  I hope you enjoy this interview with Diane Clancy as much as I did.  It's a fascinating peek into a beautiful world!

                                                                                                         ~ diane fergurson



Peach Fantasy
MBS: Can you tell us a little about your background? How did you get started in art?

Diane:  When I was 3 and 4, I spent a lot of time (when I was supposed to be napping) watching the shadows across the ceiling where the light snuck in.  We also had this cool blanket (and I still have it) that is peach and cream with the reverse designs on each side.  I flipped it back and forth, back and forth, to see the difference in how it looked depending where the colors were. My Mom would listen as I showed her these things.

I have always loved color and rainbows.  As a young adult I quilted and crocheted some using color in a way different from what I saw others use.

In my late 30's while struggling with a lot of health issues, I looked through every single offering in the U Mass catalog and found only one that I was interested in - Textile Design.  I was a double computer science and math major and I just needed a break.  In that class my work was different from others and they couldn't believe I wasn't already an art major.  They all encouraged me to go take classes in the art department and the rest is history - I never looked back.

For me, math and computer science were comforting and art was like jumping off a cliff … but I went ahead and jumped.

 

Conundrum 1 - Rainbow Woman
MBS:  Well I guess I have to ask the obvious - what did you find?  Both on the way down and also at the bottom of the cliff (or is there a bottom)?

Diane:  When I was very sick for a long time, I had a lot of time to meditate, connect with my inner self and Spirit.  Often I would make up spiritual exercises or read them in books or tapes and try them out.  Remember, I spent a lot of time in prayer and mediation - I couldn't really do much else.  One exercise I read about was being in a very large enclosed bubble.

The activity was to climb up and up a very tall ladder to the top.  At the top was a diving board that I was to walk out to the end and then allow myself to step off.  It was scary for me walking up that high, but it was still solid matter. Walking off the diving board was another thing.  I knew I would not really die, so I took the risk to go ahead and step off.  Absolute terror overwhelmed me as I was falling.  The feeling was totally real and present.

I knew I couldn't physically die, so I kept just allowing myself to fall.  And all of a sudden I was caught and held mid-air.  It was a very physical feeling. I have never felt the same level of fear since then - this healed something inside me.  This was totally transformative for my relationship with my inner self, soul, the universe. I have more trust in the unseen.

So computers and math are a foundation for me, a known quantity, an internal pattern of the universe.  Those first times I put a pastel to paper in drawing class were very scary to me.  Bits of terror flooded me.  But I did it anyway, with the knowledge that I had been caught when I jumped off that other cliff.  It often got easier.  But now, sometimes I still get panicked with a blank piece of paper or the start of a new project.  But I have that inner place now inside that has some essential confidence and connection that allows me to reconnect and thus keep going.

Church-Lady

MBS:  I've always wondered about the bubble imagery.  It's such a predominate part of your your work, but I didn't know if it was a bubble, circle, orb or something else of spiritual significance.  Can you tell us a little bit more about it?  The image is just always so beautiful,immediate and captivating.

Diane:  For me, while creating digital art there is always an element of surprise. There are lots of paths one may pursue as one is developing computer art. I played with KPT filters with Photoshop and came upon the bubbles.  When I first saw the bubbles, I was totally and immediately captivated.  This was a direction I knew I wanted to follow and explore.

The Bubblescapes look like mini-universes to me so I was hooked!  I love seeing things cosmically! The inner and the outer are reflections of each other.  These creations can be micro-worlds within a cell or the very outer edges of space and time (or anywhere in between).  To me, there is also a wholeness of a bubble … a perfect sphere that represents the whole.  I also am quite taken with the way some bubbles are transparent and then there are layers upon layers.  So, they are a reflection of life. These are some fractal Bubblescapes that I see very spiritually.

I then started to create Bubblescapes in a different way (with the Bryce computer program).  Lots of folks create worlds and landscapes with Bryce but I have never seen anyone else use it like I do.  This is partly why I say one chooses the ways to work within the multitude of possibilities with computer programs.  I got totally hooked on creating bubbles and Bubblescapes.

With Bryce the bubbles became more of images of people some of the time.  I have one digital painting (Evening Stroll) with a couple walking down the street with streetlights; I imagine that they are window shopping.   At other times with the ocean bubble landscapes, I also use the bubbles as people. With these kind of images I see the bubbles very much as representations of humans or other beings.

Sometimes the Bubblesapes are landscapes over an ocean with the bubbles floating. These Bubblescapes again seem more cosmic and mystical.  The series that has faces in the bubbles are overtly spiritual since the faces I used are from my Goddess series.  I have some Goddess images that I have created in traditional mediums (oil, mixed-media, acrylic, pastel).   Often the bubbles are transparent and thus back to the mysticism.  Other times they are opaque and reflect light and create color in wild and beautiful ways.

Bottom line, I connect with my inner self, soul and Spirit when I create, to the best of my ability.  So I am especially happy when my art reflects the whole, inspiration, goodness, spirituality in some small way.  Bubblescapes seem to help me reflect spirituality.


Spring Creation

MBS:  Are all of the Bubblescapes Digital, or have you created them using other mediums as well?

Diane:  I have a little bit of precursor work with Bubblescapes in traditional mediums, but as of now all my true Bubblescapes are digital.  I have tons of ideas for bubbles in pastel, collage, colored pencil, acrylics and even watercolor.  I am hoping as I get stronger and healthier, I will be able to get back into the studio.

MBS:  How long does it normally take you to complete a piece?  Do you work on more than one piece at a time?  Do you work in a series?

Diane:  There is an incredible variety in how long it takes me to complete a piece!!  My signature piece of Conundrum I, mixed-media, took me over 100 hours over several months to complete.  Some of the digital work can have total synchronicity and pop out in a half an hour.  Many digital pieces take an hour or two while others it is hours.  Of course after I create a piece there is a lot of other work to be done.  In many ways the creation is the easy part.

I do work on several pieces at once - I find it helps me keep the momentum going.  Almost always I work in series.  I like to work from one direction, then another and shifting again.  I feel that helps me explore a subject, a feeling, a vision better.  Sometimes the series occur over a period of years.

MBS:  Do you have any themes surrounding the Bubbblescapes that you find yourself coming back to?

Diane:  I very much want to get back to the KPT filters to create more Bubblescapes like the Inner Flow series.  KPT only works on an older version of Photoshop and on an older computer (system 9 for Mac folks).  So I have that next to me to get going on them.  I love the sense of inner and outer connection that I get from this type of Bubblescape - it draws me deeply in.  So this pulls me back.

For the Bryce Bubblescapes I need to go back to an older computer also because Bryce is not supported in the current Mac system versions that one needs to use for protection on the web.  So again, I really want to get back to creating with Bryce!!  Those ocean bubbles speak to me so loudly!!  Ideas and values are fun to play with in the ocean Bubblescapes.  I have been working on a Simple Pleasures series that I would like to return to.  These are oceans with ideas like Whimsy, Love, Solitude, Joy.  It is such fun to create feelings based on color and design.

I also want to explore some of the landscapes like Peach Fantasy, Spring Renewal and Bubble Garden to see where I can go with them.  And many people have been responding deeply to ones that I have temporarily called Instincts and Bittersweet.  I like this clearer sense of bubbles as people and values.  So I want to dive more deeply into Bryce again to push the limits to see where else I can go and explore.

As I can, I sure want to expand the bubbles into traditional (non-digital) mediums.  In my mind I am testing what it would be like to work with Bubblescapes in different mediums.  I test ideas out so that when I face blank paper I will have some idea of what I want to play with.  So, as you can see, bubbles are always floating around my mind!

Love Birds

MBS:  Do you have any current projects or shows in the works?  What are you currently working on?

Diane:  I am working on a project with a friend in Norway and one in Denmark to showcase art and artistic images on home decor products to make it easier for people to find a wide variety in one convenient place.  Many of our friends promote others work (besides their own) as a way to make extra money from marketing others' products to get a small percentage of the sale (affiliation).  I have been working very hard to get many of my paintings on a wide variety of items both at CafePress and Zazzle to make sure I can be part of this promotion.

The range of merchandise is wild!!  It goes from shower curtains, duvet covers,  pillows  and canvas prints to skateboards, flip flops, thermos food jars, clocks and iPad covers.  As one can image creating images, prepping them and actually getting them on products is quite time intensive!!  Then comes the marketing!!  This is called POD (Print on Demand).  The items don't get created until someone orders them.  A lot of my time has been taken up with this exciting international project of marketing POD items.

Recently I gave a presentation on POD for 2D artists at the 4th Creative Economy Summit in Franklin County, MA.  I  also have been (and remain) on the planning Summit committee for the whole year it took us to put this together.  I have been involved with the Fostering the Arts and Culture Project for years as we work to promote and support the local creative economy, especially as it relates to artists.

I continue to create new artwork in a variety of directions.  These days most artists need to spend a lot

of our time marketing our work.  There are many new venues for sharing and marketing our creations. Part of the process of marketing is creating descriptions and tags so that buyers can find our work.  The rules for those seem to keep changing and most of us (including me) often struggle with that.   I network a lot (much of the new marketing involves one kind or another of social media), learn about what's happening and then dive in to keep moving ahead to cultivate collectors of my artwork.
Inner Flow Mug

MBS:  What is a typical work day like for you?

Diane:  As anyone who owns a business knows, there is hardly a typical day! Some days of course I have appointments, including clients and meetings so that breaks my rhythm.  Or there are taxes to prepare, the plumber, roofer or whatever.  I like the days that I have no structure from when I wake up until I sleep!

On all days, first thing I align with my Inner Self, my Soul and Spirit first and ask that all my thoughts, words and actions be aligned with my own and the Universe's highest and best good.  At some point in the morning, I connect and check in with my partner, Susan.  I check and see if there are any orders from folks that I need to work on, fill or mail out.

On days that are all mine, I open up the computer and start going!  Often I have set up some computer work the night before so I don't have to think too hard to start.  Most of my life involves creating art, prepping this artwork for POD or printing or showcasing, writing descriptions and creating tags for this work, getting that creation where it needs to go for the next step and then promoting and marketing.  Networking is an important part of my day, whether or Facebook or some online group.

At some point, I take a break to exercise.  I might check in with a friend or family member.  At dinnertime Susan and I take a break and eat and watch some TV or a movie.  We love analyzing together the colors, design, story, issues …lots of things!!  We watch the ads with no sound and guess what they are trying to sell and see how well they did that.  With me as a painter and Susan as a photographer, videographer and writer, we get ideas to follow and not follow!  Then I go back to work on the computer.

I have made lists of what I think I should do every day and each week.  The problem is that I would probably need 10 of me to carry all that out.  (And that doesn't include making the art!!)  There is so much out there today for social media, selling and promoting one's art!!  Differentiating what is most important for me to pursue is an ongoing project.  I strive to analyze what is most effective.  And I want to keep learning the art programs I have to expand what I can do and what art I can create.  I value the connections I have made in my online and offline worlds around art and that networking is important to me.   In summary, my days are not boring and I feel grateful to have a full life!


Inner Flow 3

MBS:  I see that you sell your work online.  How has the online experience been for you as an artist?

Diane:  For me, selling online has been fantastic!  I have gotten a lot of feedback that many people are uplifted by my work so it seemed to me that getting my paintings out there in different ways would be a high priority.  My original plan when I consciously went into business, was to license my art so that many people could be inspired.  With licensing, since a company would pay me a usage fee, that company would deal with all the printing and distribution and I could get some income from that.   In my mind, the best way to do that would be to get my creations on calendars, cards and items like that.

The industry has totally changed since then - POD (Print on Demand) has turned everything upside down.  This way I myself could put my work on things and get them out to people.  Instead of my having to buy 50 or 100 mugs to have my art on mugs, instead I can put my creations on mugs online and then when someone orders it, the company prints, ships, deals with problems and I get my markup.  The variety of items I can create blows me away!! Shower curtains and skateboards (and I have sold both).  This has given me my goals and dream in a different way.

There are lots of POD sites, like CafePress and Zazzle, out there now where the artist puts their work on merchandise and the rest is done - besides marketing.  There are also sites like Etsy where one sells directly to the customer, so all the preparing the work, shipping and returns is done by the artist - and again also the marketing.  Sometimes I sell directly from Facebook or my blog and I love that!

There are tons of places to network and market our work and products as artists.  One upside is that it is much easier to reach a real worldwide audience of potential buyers and collectors.  Another upside is that is thrilling to see my art out there, appreciated, liked and purchased.  Some of my art on merchandise is now in Japan, Sweden, France and the U.K. among other places.

One downside is that there are now millions of pieces of art easily available on the web.  Another downside for me as an artist is the relentlessness of all I can do for promotion and marketing.  I am very excited by the networking and marketing - I think it is thrilling to see my creations in the real world and have people buy them.  I know I could walk from any marketing I choose not to do (and I do walk away from a lot).   But it is still a lot and a large portion of where most of our time as artists goes.

For me as an artist with a disability, the online marketing has given me freedom.  I meet a lot of other artists online who also have been so happy with being able to participate on an even playing ground.  I still do some selling offline in shows, stores or privately, but the POD selling has given me a lot of ability to connect with my buyers.  Even though the networking and marketing can be just too too much, I am still overall totally delighted to be an artist selling online!

Dawn of Time Wall Clock
MBS:  Any advice for those who (seriously) wish to pursue an artistic path.

Diane:  Nowadays the art field is very different from even 10 years ago.  I would encourage someone to think about exactly what they wanted out of an artistic path.  There is many ways one can be an artist.  One basic question is how much one is going to connect making one's livelihood directly from one's own art.  Many wonderful artists paint and create while having full-time or part-time jobs.  That is a time honored path and a smart one in my opinion.

Other artists make their living working in arts related fields.  There can be a lot of connections made that way and it could be a way to break into an often elusive field.  It is important to be honest with one's self about what one really and truly wants to do - from one's heart, not just out of form's sake.

Whether full-time or part-time, it is important to decide how one is going to position oneself.  Some artists I know would never sell their work on prints because they feel it cheapens their work.  And certainly they wouldn't put it on POD (Print on Demand) merchandise.  They want to be artists who sell original paintings and only original paintings.  Very valid.

I want to get my work out in the world to be accessible to a vast amount of people.  So I choose to get my work out in prints, cards and lots of POD merchandise.  This is another valid position.  Still other artists I know, who create beautiful work, don't feel they can do much of that.  Many of them are full-time PODs sellers who figure out the trends and design for the trends.  Many of them create a lot of slogans, and what I would call cute work - very different from their artistic work.  They do this to make a living.

Speaking of livelihoods, obviously many folks who create ads are extremely artistic people.  Some of the ads are awesome in the artwork (I said some).  That is an example of working for hire in a field that can be creative and still give you a decent wage.  Speaking of money, one of the best ways to become richer is to lower what you need to live.  I know there are basic necessities, but for many people, lowering one's financial desires can translate into more artistic freedom.

I would recommend studying and analyzing where the art field is today.  I would look at the possibilities and use one's mind, heart and soul for direction to where to go.  If one is going to do art as a business (which most of us need to do), then studying business is good - maybe taking a business planning class at a local Community Development Corporation. There are also a lot of resources out there to teach artists the Business of Art.  Having that kind of perspective can really help in being an artist making a living.  There are a lot of internet resources and newsletters that share that kind of information.

One other tip - if one gets into creating POD merchandise, one can also affiliate one's own and others' products.  This gives a little bigger slice of the sale to the person who affiliated the product.  Some people make a lot, a whole lot, of money through promoting other artists' and designers' work.  A lot of these people work very hard but also make quite a bit of money.  It's a thought.

Whatever direction one chooses to go, networking is likely to be crucial.  If one chooses to do art online in any way, networking is the lifeblood of the web.  There are tons of kind artists who will help another artist on the way - even if they are helping to develop their competition.  Marketing is also the other key that makes a difference for one's work to stand out among all the other pieces.  Expect to spend a substantial amount of time marketing or expect to pay someone in one way or another. They say that now developing personal relationships with potential buyers and collectors is very important - and I agree.  They are collecting us the artist besides our art.

So, stop, think, ask your whole self which direction is for you.  Being honest to one's self is key to being a successful artist, whether you only create occasionally for yourself or decide to go full force into jumping in full-time art, no holding back!  Be true to you, create, ask for help, network, market and have fun!






Thank you Diane!
















Diane Clancy's Art
http://www.DianeClancy.com
http://www.DianeClancy.com/blog
http://facebook.com/DianeClancyArt
http://DianeClancy.etsy.com
http://cafepress.com/DianeClancy
http://zazzle.com/DianeClancyArt*







Links to other interviews in the Mind Body Spirit Artist Series.

         

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Thursday, December 13, 2012

Mind Body Spirit Artist Series - Sue O'Kieffe

The beautiful artwork of Digital Artist Sue O'Kieffe has inspired and aided in the healing efforts of many who admire her work.  Her ongoing passion in working with the Mandala form and also in the healing properties associated with Auralite crystals definitely piqued my interest - prompting me to  find out more about this wonderful artist and her spiritual and artistic world.  Enjoy!
       
                                                                                                        ~ diane fergurson


Transcendent Harmony
MBS:  Can you tell us a little about yourself?  How did you get started in art?

SueI have been creative all my life. I'm sure I came into this lifetime having been creative in many others. And I bet I will be creative in future space-time continuums as well. I expressed to my mother around the age of five that I wanted be an artist when I grew up, and my creativity was encouraged to a certain extent, but there was an underlying message also of not being good enough. Having talked to other creatives, I know that this has been a common theme for many.

My journey as an artist has seen me embracing many different media -- starting with embroidery, knitting and crocheting. In my 30's I was captivated by beadwork and beaded embroidery, jewelry making, and bead making with polymer clay.  All of these media had similar things in common. They were all tactile, they all involved working with pattern, and they all involved working with wonderful colors. In my late 30's and into my 40's I began learning more about the healing power of colors and incorporated that knowledge into my art as well. Somewhere along the way, working with teeny tiny beads began to take its toll on my eyes and my body and I began looking for new ways to express myself.

In the mid 90's I became involved with a group of women interested in the medium of collage. We met twice a month with the intent of making collage as process rather than product in a safe non judgmental environment. It was what I would see now as my first experience of creating art within the confines of sacred space and the Divine Feminine. These bi-monthly meetings were magical to me. I loved the respect and safety of the group. We met for four years and eventually even had a couple of group shows. One of the women in the group had a computer and an early version of Photoshop. I went to her house to play one Saturday afternoon, and the moment I put my hands on the keyboard, I knew that creating digital art would be where I would go next. It took me a while to get there, though. In 2005, I went back to school to learn digital media and all things Adobe. I took a couple of classes in Photoshop from an art instructor who encouraged process and learning over perfection and product. By the time the classes were over I was finally calling myself an artist. I was 55. 


MBS:  I've talked to so many women artists over the years who have come into their creative life in their 40's or 50's - I've also heard many reasons why.  What finally clicked for you once you become older?

Sue:  Wow, that's a great question, Diane!

The first thing that came to mind was Anais Nin's quote :And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
 
At this point in my life both of my parents had passed. I didn't need to be concerned with taking care of them any longer. I had no children to finish raising either. I only had me to finish raising! I think the journey of menopause was also an ingredient. I remember reading in Christiane Northrup's book The Wisdom of Menopause that this is the time when women either heal the wounding of their past and move on to who they want to be or they run the risk of many health issues later in life stemming from these unhealed places. I just felt driven to create like I'd never felt before. I was on fire!  And I felt a creative freedom I'd never experienced before either. I loved working digitally. It was magic. Everything was lining up. I was coming home.



Soul Harmony

MBS:  What is it that you find so satisfying and engaging about making art digitally?


Sue: The only way I know how to answer this question is that creating digitally is what I love. I go with what fascinates and with what I find compelling. Who knows why this is? I just know that when I sit down at the computer that I feel a oneness that I don't feel with other approaches. And I especially feel that oneness, as well as a lot of magic, when creating mandalas digitally. I'm entranced!

MBS:  A lot of your work revolves around the creation of Mandalas.  How did your interest in the Mandala form come about?

Sue As a little girl I loved rubbing my eyes and enjoying the colors and patterns created behind my closed eyelids. My earliest memory of what might be an introduction to mandala making was playing with a Spirograph that my mother had saved from her own childhood!  Fast forward another 15 years or so to discovering a mandala coloring book and coloring the designs, which I loved. But my first real experience with mandala making occurred around 1997. I participated in a workshop led by a woman who had been trained by Judith Cornell. Cornell created a lovely and very powerful approach to mandala creation based on the concept of drawing with light by laying down layers and layers of white prismacolor pencil on black paper before adding subsequent layers of color. That weekend was powerful and transformative and one of my first conscious experiences of connecting with the Divine through art making. I loved creating within the container of the circle.

When I purchased my first computer a couple of years later, I spent lots of time searching online for and being inspired by mandalas created in the digital realm. I discovered Komra Moriko's work on earthmandalas.com and knew deep inside that I would create mandalas based on the beauty of nature. She was so generous to provide a step by step tutorial on her website. During the summer of 2005 I immersed myself in this learning process and haven't stopped. Being out in nature and filling my eyes with her beauty, capturing it all on my camera, and then bringing her gifts home and transforming it all in photoshop is a deeply nourishing and fulfilling process. I know that I came into this lifetime to be part of some amazing planetary changes and to create mandala art to assist humanity with these changes. 


Fierce Transformation Mandala

MBS:  Your work is very spiritually oriented.  How does spirituality play a role in your artwork and for you as an artist?


Sue: As far back as I can remember I have felt connected to Spirit. Sometimes I forgot. Often fear would get in my way. I have always been a seeker.  There have been pivotal moments in my life when I clearly came in touch with the Divine, far too many to  talk about here. I have always listened to the promptings of my soul and followed them, even when I didn't realize that's what I was doing. Spirituality has always been  entwined with my art so I  really can't imagine creating any other way.

Currently, a big part of my journey is developing a deeper co-creative relationship with my inner guidance in my art making. In meditation I've been asking what most wants to come through at that moment, wait for imagery and listen for the words Spirit shares. And then I interpret what I see and hear in mandala form. I am learning that this listening takes a bit of patience, as well as faith. My ego natters at me about making it all up. But I love creating art in this way, taking a step away from  the limitations of my creative mind and allowing Spirit to guide me and speak through me. I look forward to creating these intuitive mandalas for others as well, using the same process, as a testament to the receiver's spirit. 



MBS:  I've noticed recently that some of your work has been based off of Auralite Crystals.  What is an Auralite Crystal, it's properties...and how did you become introduced to them?


Sue: Auralite is conservatively estimated to be a 1.1 billion year old crystal found only in a remote region of Ontario, Canada. It is comprised of amethyst, clear, smoky, and citrine quartz, along with more than 23 other mineral inclusions (including gold, silver, platinum and copper) and 35 elements that have all been confirmed by geological assay. I first learned about this crystal in 2006, before it was even being called Auralite. I had just been diagnosed with a non malignant tumor that was wrapping itself around my carotid artery. Through the magic of the internet (and Spirit), I had serendipitously connected with the man who is now the mine's project geologist. He wanted to talk about this crystal and I was very happy to listen. The photographs of the Auralite he shared reactivated my childhood attractions to the mineral kingdom. The energies from the crystals helped assist me during this somewhat challenging time. This was the beginning of my spiritual awakening.

Fast forward to early 2011. My geologist friend and I reconnected on Facebook. He asked if I wanted to help sell Auralite, and I said yes. Over the past year I have come to understand that being an Auralite advocate and caretaker is also part of my life calling. Because this is a new crystal to humanity, those who are connected to Auralite are the ones discovering its properties. I ask people to share their experiences with me. It's fascinating to hear these Auralite stories. My belief is that Auralite is coming to the surface now to assist humanity during these challenging shifts in energy as we move into higher states of consciousness by clearing out lower energy levels that no longer serve us. My personal experience with Auralite is one of amazing unconditional Love. It creates a magnetic bond with those it connects with. I've seen people not able to put it down. And I've experienced tsunami waves of Love wash over me from this crystal.


Timeless Light and Peace

I like what my friend. crystal healer Adrienne Goff has discovered about about Auralite as well: 

I am such a fan of Auralite, because I have seen what it can do. It forms a very personal connection with the client and immediately targets what parts are out of alignment, working to clear blockages. I have seen it cause emotional release, instant activation and clearing of the chakras in less than five minutes, sudden insights, activation of the client's blueprint, and the ability to clearly tune into spirit. It is very good at treating emotional and mental ascension symptoms as it unwinds areas of constriction, bringing relief of stress, anxiety, tension, anger, and other lower emotional states. Auralite naturally awakens the third eye, helping both you and the client tune in and achieve a higher meditative state. It also strongly resonates with St. Germaine and the Violet Flame energies. Therefore, it is perfect for transmuting any lower energy into pure light. If you could only have one crystal in your healing tool box, Auralite should be it!

I began creating mandalas from photographs of Auralite not only as a way to honor the crystal, but also as a way to share the crystal's unique energies in mandala form.


Markings of Time (Auralite Mandala)

MBS:  What is a typical work day like for you?
Sue: Like many artists, I also have a part time day job. I approach that with the intent of being an embodiment of Light and Love. Really, we can all spread joy and light wherever we go. This isn't about being Pollyanna. This is about being present and available to the best of my ability and engaging with people with consideration and respect. This is how I do my art when I am not "doing my art."

There really isn't a "typical" work day for my art. I do what most needs to be done, whether it is creating new art,  being in nature with my camera, working on a commission, or maybe even trying out a new recipe. Staying properly nourished for my body's optimum health is important to me these days.I have recently decided to return to a vegetarian diet.

When I am focused on making art, I block out a period of time to do just that. I meditate for a period of time to see what most wants to come forth, and then I sit at my computer and listen to my guidance. I shared a bit about  my process on this blog post recently. And then, of course, there is time reserved for Facebook.
 
MBS:  What are you currently working on?
Sue: My immediate focus is preparing for an art opening on January 5 at Humboldt Herbals in Eureka, CA for our community's monthly Arts Alive.  I've also been invited to show one or two of my mandalas at an international art show of mandala makers in September 2013 at Nails in the Wall Gallery in Metuchen NJ. In between this, I am planning on writing an article for a local metaphyiscal newsletter about my True Self Mandala process
True Self Mandala
MBS: What are your True Self Mandalas?

Sue: Over the past couple of years I have been developing a process for creating portraits of the True Self in mandala form.In 2009, when I wanted assistance in creating commissioned mandalas,  I sought out the counsel of a local shamanic practitioner, who journeyed with her allies and came back with the suggestion to connect with the True Self, ask specific questions, and then interpret the information received in mandala form. My first assignment was to create my own True Self Mandala, which took me, for various reasons, about a year to create. How could I create for another without knowledge of my own True Self? Since then I have had the  honor of connecting four other women with their True Selves and creating their individual True Self Mandala using this very soulful process. It is a powerful and healing process for the receiver as well as for myself, and such a lovely way to honor your spiritual journey in a very intimate way.
 
MBS:  I see that you sell your work on-line.  What has your on-line experience been like?
Sue: The  first week after I opened my  Etsy shop in 2009, someone placed an order for six of my mandalas. It was a great, encouraging way to get started. Overall, though, online sales have been fairly sporadic. In 2013, I want to look at other venues besides Etsy as well as finally put up my website.

MBS:  What advice do you have for anyone who wishes to (seriously) pursue an artistic path?
Sue: Ask yourself what you want to be doing in the next five years. Look for business support within your community. I have been happy  with the local Small Business Development Center, which has provided me with a business coach and many  classes about different facets of business, all at no cost. Find someone whose wisdom you respect to assist with art marketing practices. Talk to lots of other artists, whether it is in online groups or in your local community, for advice and support. Get your art out there. Be willing to be transparent and share yourself with people. Be patient. Be grateful for those around you and tell them that on a regular basis.Love and appreciate what you do. No one else does what you do. The world needs you.

I like this quote from Earl Nightingale :
Never give up on a dream just because of the time it will take to accomplish it. The time will pass anyway.


Thank you Sue!



Contact information for Sue -
Email contact: sue.okieffe@gmail.com

Facebook Profile Page: https://facebook.com/sueokieffe

Sacred Circle Mandalas

 
 

Links to other interviews in the Mind Body Spirit Artist Series.


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Friday, May 20, 2011

Mind Body Spirit Artist Series: Atmara Rebecca Cloe

When we put together our 2010 Mind Body Spirit Odyssey Holiday Gift Picks, the artwork of Atmara Rebecca Cloe was one of our choice selections.  Atmara's stunning spiritual, healing and therapeutic images have the ability to uplift any viewer into a higher, more positive place.  We hope you enjoy learning more about this inspirational artist and her beautiful work!
                                                                                                                ~ diane fergurson


MBS: Can you tell us a little bit about how you got started as an artist?

Atmara:  First, let me say, I have no formal training as an artist. I was working as a music teacher in the 80's and became ill with Chronic Fatigue Syndrome (which I continue to be to this day). I had to stop working, with the exception of teaching a few voice lessons each week, and I dedicated myself to my spiritual growth and awakening. In the mid 90's I found myself in a place in my life where most of the people and social/spiritual community I had been a part of was dissolving; really just a natural progression of people moving on to what was next. What was next for me turn out to be computer art.

I have always had an interest in art, but do not have the coordination in my hands to be successful with traditional painting and drawing. In the synchronistic way my life seems to unfold, I saw an ad in a local paper for a graphic design school which was not far from where I lived. This was just at the point where computers were becoming powerful enough to be used for art. I had no idea where my life was heading, but I was able to take a few classes at this school and manifest funding for my first computer.

Since this was 1996, the Internet was just in its infancy. I started out with the idea that I was going to do web design, and in doing a little of that, someone asked me to create 6 images for portal pages for a site that was going to be a resource for the arts and spirituality. The site never got off the ground, but I created 6 pieces of art, several of which are still marketed today. I had no idea I could do this, but I found I had an eye for what worked, visually and energetically, and the ability to teach myself computer software, and things just progressed from there. 

MBS: For those who aren't familiar with your work, your artwork revolves around spiritual imagery. Primarily Mandalas...but also some really great crystal related work. Why Mandalas in particular?

Atmara:  I started working first with New Age imagery and a couple of software programs, Bryce and Poser. They are 3D programs for landscapes and human figures. I didn't actually do my first mandala series until the end of 1999. I wasn't well acquainted with the form, but something just drew me to try to make some.

Between 2000 and 2005 I did both figurative work and began to explore more with mandalas and some abstract imagery. Since 2006 I have done nothing but mandalas and a few abstract pieces.

There never has been a conscious choice about what I create. I would say the images call me to create them. I don't know why I currently only doing mandalas. They are just what wants to be created through me. I love them, and I love the process of creating them because I have no idea when I start what they will look like, and I get to witness them emerging on the screen as I play in Photoshop.

So why mandalas? I think you have to ask the mandalas themselves. I'm really not the decision maker in this process.

MBS:  Yes, it's interesting how they kind of create themselves! I agree with that! I don't work with computer images so I'm not familiar with the process you use at all. Do you ever start from a particular image that you then work with? Or is it more just starting with patterns and colors?

Atmara:  It's a little of both. I use images that either attract my eye because of their colors or their energy. I put them through a kaleidoscope filter first, then I choose 2 or 3 of them and work with them in Photoshop. Each becomes a layer which I blend together with the other layers using the blending modes in Photoshop. I play with color adjustments, with effects filters, really I just play using all the features Photoshop has to combine the kaleidoscope images until the composite image looks and "feels" finished.

MBS:   I've seen your artwork sold and marketed under the tile "New World Creations". Is that the name of your company? How did that come about? Can you tell us a little about it?

Atmara:  Yes, that's the name of my company. When I began doing digital art in 1996, I decided to work under a company name rather just as Atmara Rebecca Cloe. There's really no story to it. I just asked the question, "What should I call my company?" and New World Creations popped into my head. So I used it.

MBS:  Mandalas imagery...I know from experience, that there are a number of people who are not familiar with Mandalas at all. What is the explanation do you give about this beautiful symbol if asked?

Atmara:  Actually, I can't remember anyone asking me what a mandala is. I guess when they see my work they at least figure out that it is a circular form of art. I just went to Wikipedia to see what they have to say and this is the first line "Maṇḍala is a Sanskrit word that means "circle". In the Hindu and Buddhist religious traditions their sacred art often takes a mandala form." For more details about the history I would refer people to an explanation from Wikipedia.

MBS:   For many artists, spiritual development and creating spiritual art go hand and hand.
Can you share some of your thoughts and experiences with this?

Atmara:  I would say they have certainly gone hand in hand for me. When I first started creating art the imagery was very New Age which was a reflection of what I was exploring spiritually. I was inspired to create by seeing the artwork other New Age artists were creating.

In the last 5 years, I have been a student of Gangaji (and actually learned the video editing skills I use for my mandala meditation videos while volunteering for The Gangaji Foundation.  My work has been almost exclusively mandalas during this time. It hasn't been a conscious choice. As I said in an earlier question the art creates itself through me. Perhaps the truth of who I am (which is the primary discovery I've made as Gangaji's student) finds it easier to express itself through an abstract form. I would find it almost impossible to describe in words that which I have realized spiritually in the last 5 years, so the creation of an abstract form of art seems to be in alignment with that.



MBS: What is a typical work day for you? Do you work every day on your images or are you less scheduled about it?

Atmara:   I don't have a workday as such. Because of being chronically ill, most of my energy on any day is spent just doing the things we all do to take care of life. I do try to post on my Facebook page, Mandalas by Atmara, each day. I seem to be an information gatherer. I've naturally falling into a role with this page of not only showing my mandalas and mandala videos, but of posting links to interesting mandala related web pages. I have a Google Alert for mandalas, which means they send me a list of links each day related to mandalas, whatever they have indexed in the last 24 hours I assume. So from that I post anything I think will interest the "likers" on my Facebook page.

But other than keeping up with the Facebook page each day, there is nothing else I do on a daily basis. When I do have some extra energy and am inspired to do so, I'll work on a mandala, or a mandala meditation video, but there is no schedule to that. It just happens when it happens.


MBS:  How do you market your art?

Atmara:   I have always marketed my work online. Again the illness dictates this since I'm not able to go around to stores to market my prints, or organize shows, or sell at street fairs. When I first started creating art the Internet was very new. Ebay had just started and it was possible to get your work seen there, since there were only a few thousand people using it, rather than the hundreds of thousands that are today. There were also other smaller auctions where I could list as well. In those days I made my own prints and sold them directly through these auctions.

But they got too big for my work to be seen by many people, and it was taking too much energy to make my own prints, so luckily, Zazzle.com can into being. I started with them when they were just in their beta stage, hadn't even officially launched, and they were only selling prints at that time. Now they are a huge company that sells not only prints, but all sorts of gift items as well. I sell exclusively through my store there now.

I've always had a website. Last year I did a complete renovation, changing it from an old html site to a Wordpress blog and content management site. The site still points you to Zazzle to purchases prints, but I do also license my work. I would say that licensing has actually been the biggest income generator for me. It has dropped in the last few years with the economic down turn, but all my work is available to license.

And I also create personal mandalas. You can find out the ”what and how” of that on my site as well.

MBS:   Do you have any advice for those who wish to (seriously) pursue an artistic path?

Atmara:  Follow your heart. In fact, that would be my advise to everyone, about all their decisions in life. If we all lead with our hearts instead of our minds, from love rather that fear, this planet would be transformed.



MBS:  Thank you very much for interviewing with us!  Your work is just beautiful and it truely helps make the world a more positive place!











Additional interviews from our Artist Series:
Emily Balivet
Laura Milnor Iverson
Joanne Miller Rafferty
Jude McConkey





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Artist,Writer, Jewelry Design