Saturday, February 20, 2010

An Interview with Author Abigail Carter on her Book, "The Alchemy of Loss: A Young Widow's Transformation"



Whenever I hear the phrase "resilience of the human spirit", I think about Abigail Carter.  I hope you will enjoy this interview with her as much as I did. 
On a personal note; yes, we were one of the families she mentioned who hung with her “in the trenches” during those long dark days.
To the Carter/Dack/Boland family…I raise my glass and wish you well!
                                                                                      ~ diane fergurson






1. For those who may not be familiar with the premise of your book, will you give us a brief overview?

-Essentially my book is about my journey after the loss of my husband on 9/11. Its about discovering the silver lining that can be a part of grief, and the opportunities that loss can offer if you choose to see and take them. It delves into the morass of grief, the messiness of family relationships during a loss, raising grieving kids in the process and coming out the other end.


 2.  "Coming out the other end" involves healing.  What have you learned about the healing process over the last 8 1/2 years?

-Grief and healing do not necessarily go together. In many ways I am not sure anyone ever truly heals from grief. I sort of think of it as one of those diseases that lies in remission and then strikes again when you least expect it.

Here are some other things I have learned about grief:
  • Grief doesn’t have “stages” that follow a specified progression as in the Kubler-Ross stages of grief. You can feel both anger and numbness at the same time. You can be in denial and acceptance at once as well. And no matter how hard one tries to avoid it, anger and grief go hand in hand.
  • You can’t “put off” grief. It will eventually find you one way or another
  • Grief can settle in the body and form a kind of muscle memory that is reluctant to let go and can be quite painful in a literal sense
  • Loss can act as a sort of defibrillator that awakens you to new possibilities. Suddenly life seems too short to put off dreams or desires; perceptions of others no longer matter as they once did; priorities change dramatically. It can be a frighteningly liberating experience. I know people whose entire personalities have changed after loss.
  • Views on spirituality are often questioned and revised sometimes resulting in a deeper understanding of faith, fate and a more open and accepting attitude towards spirituality in general.
  • Grief often brings out creativity in people as they shed societal handicaps and become more independent and non-conformist.
  • In general, grief spurs us to appreciate life.

   3. If you feel that people never really heal from grief, then tell us about your remission process. What has helped you?  Writing the book, speaking engagements, working with others who have experienced loss? You've done all these things over the years. What have you learned that may benefit others? 

-Certainly writing the book was extremely cathartic and I recommend everyone experiencing grief to write their experiences down, even if it’s just in a journal. Its amazing the perspective it gives you, even if you are writing years after the fact. I often started writing about one thing and found myself writing about something I hadn’t even thought of and having lots of “aha” moments along the way.

Helping others has also been amazing. From my book I have gotten so many emails from people who my book has touched. These are often very personal emails from people telling me things that they have not told another living soul. I feel very honored by that and encourage them to keep writing me. I also volunteer and am on the Board of The Healing Center in Seattle which is a place for grieving families to come and get support. I work with a group of people who are a few years out from their loss, a group we call the “Perspectives” group, named for the notion that we are no longer looking back at our loss, but have now turned and are looking forward to what’s next. The group has had some life altering affects on people.

And yes, I have also done a few speaking engagements. I have spoken to caregivers of ALS (Lou Gehrig’s Disease) which was very powerful given that the people I was speaking to hadn’t yet experienced their loss, but were preparing for it. I also spoke to a group of social workers and caregivers who work with the bereaved in many different ways about the silver lining side of grief, something one of the other speakers dubbed “Post Traumatic Growth” which I found incredibly apt.

All this to say, that although it can be very emotional helping others through their grief, it can also be incredibly rewarding and life affirming.


  1. One of the things which I found so interesting in the book was your ability to describe having to take on the roll of a juggler.  On one hand you had death and widowhood to deal with, then layered on top there was the circus associated with being a 911 widow.  Your family thrown into the mix presented a whole other set of interesting, sometimes humorous issues.  Deciding to date again and making the decision to move away from the New York area...what is your perspective on all of this looking back?
    It really is quite a unique slice of life during a specific period of time (as they say).

-Yes, that period in my life was really crazy. I honestly don’t know how I got through it. Partly it was grief that got me through – there is a period where you are sort of in shock and there was a long period where I felt quite detached, like I was sort of a stranger looking into someone else’s life, not really having a say in the direction it took. I remember often thinking, “huh. These people are acting really crazy. I sure wish I could help them.” The odd thing was, it was incredibly liberating. I didn’t have to take responsibility for everyone, something that I had spent my life doing.

After that effect wore off, I remember thinking I just had to put one foot in front of the other which is how I managed to get from day to day. I wasn’t really able to plan ahead, I just got through each day.

There was a period of freedom too, where my mantra was “life is short,” where I felt I had to experience life to the fullest. This was the period when I dated and ultimately moved from New Jersey to Seattle. The move, though also had to do with trying to escape all my drama, and my identity as a 9/11 widow. In that respect the move has been a really good thing.

These days, I think I have managed to simplify my life. Its easier too now that the kids are older. I find I prefer quiet much more than I used to (though that may simply be an effect of getting old!). The down side of this though, is that I have become a bit of a hermit (typical of a writer’s life I suppose), which perhaps a way of countering all the past drama. I do worry about it sometimes too, that maybe some of that early detachment is creeping back in. I suspect this detachment though has to do with the overload of responsibility I have on an ongoing basis – sometimes I just need to check out for a while.


  1. Do you feel moving out of the New York area was beneficial for you and your family?
    If so, how?
-Yes, moving has been beneficial for a bunch of reasons. One, obviously was to escape the cloud of 9/11 that was, and probably still is to a certain extent, pervasive there. I seemed to bump into it everywhere I went. As well, the house that we had lived in as a family, though at first comforting had begun to feel sort of tomb-like, and I felt that if I stayed, I would become stuck in my 9/11 widow identity. The entire community seemed to know our family’s history, and I worried that the kids would grow up always being “9/11” kids.

In Seattle, the event was very removed for people here. They were much less traumatized by it, so we are able to live in relative anonymity with regards to the event. Many of the people we know don’t know our history or if they do, it doesn’t have the same heart-wrenching response that it does in NY/NJ. Just recently, Olivia’s class was studying the book “The Kite Runner” where the events of 9/11 are mentioned. There was a big discussion about 9/11 where towards the end, Olivia finally confessed her history much to the shock of her teacher and class. Some of the kids even thought she was lying. It was a huge leap for her to do that, as it is something she doesn’t talk about very much. I felt that had we stayed in Montclair, we always would have been treated as “special” in some way, and my gut told me that that would be detrimental to the kids. Either they would expect to always be treated differently or that they would feel pressure to always behave a certain way. It may have been a false premise, but it was something I worried about. In Seattle, they able to just be normal kids.

The downside was that we gave up a great deal of support that the community offered, which really hasn’t been replaced. We had some incredible caregivers in the form of therapists and doctors and widow communities that were integral to our survival in those first years. Giving those people up was very difficult. Also, many of our friends hung with me “in the trenches” so to speak, which provided a strong bond of friendship. I miss those easy friendships a great deal and I know the kids do too. But I know through the experience of moving as much as we did that good friends remain in your life no matter where you live.
6.  Any new books or articles in the works?

-Well, I had a lot of requests to write a sequel which I would love to do, but I doubt that I would be able to sell it to a publisher. It turns out that people won’t buy anything that they perceive to be a 9/11 memoir. Even though my memoir was so much more than 9/11 -- its really a self-help book on recovering from grief -- the 9/11 thing is an albatross when it comes to selling it. The book, oddly enough was far more successful in Canada, Holland and Australia than it ever was in the US.

Because of this, I am working on a fictional novel written from the perspective of a dead husband. I wanted to be able to delve into post loss relationships, what grief is like after the first year, and some of the issues around raising kids who have experienced early trauma and I am trying this out as a vehicle. Its been much harder to write than the memoir, but also a little more fun. I get to imagine a place where dead people go when they die. My ghost is very human-like and must rehash his life. It gets fun when he tries to set his wife up on dates that don’t go so well.


    7.  Well that sound like it would leave itself open to all kinds of possibilities! 
Since you are veering in that direction, you have also had many interesting incidents "from the other side" since this chapter in your life occurred.  Would you care to share any for our readers?
In addition, what insight have you gained from these experiences?
How did it impact your spirituality?


-Sure. There were a number of incidences, but here are a couple:

I guess the first one was about 10 days after 9/11 when there was still talk of people surviving in air pockets and we still held out that tiny bit of hope. It was 4am and I was lying in bed imagining Arron beside me, when the hall light suddenly went on. I got up thinking Olivia might have gotten out of bed, but she was sound asleep and then I thought perhaps my brother had stumbled in from the city really late, but there was no noise from him (and he didn’t get back until the next morning) and as I stood there, I just knew it was Arron, telling me he was gone.

On our wedding anniversary, a year after his death, Olivia and I were sitting and eating dinner. Carter had fallen asleep on the couch. It was very quiet, when suddenly the CD player came on. The CD that we had last played was Macy Gray, which had been our family favorite, and Olivia knew all the words to most of the songs. We just sat there amazed as Macy Gray sang to us and Olivia pointed to the ceiling, and I nodded and we just kept eating to the music.

I also have had quite a few very uncanny readings from Psychics.

I don’t know if we just manifest these incidents because we need to believe that our loved ones still exist in some way, or if there really is life beyond death, but I do know that believing there was life after death comforted me a great deal. I think I sort of believed in reincarnation and life beyond death before 9/11 but these and many other serendipitous experiences certainly solidified that belief. I still struggle with the idea of fate and whether it’s predetermined or not, though if I was to embrace a psychic’s view of life-after-death dogma, then I suppose I would need to accept that we map out our fate ahead of each lifetime on earth, making it both predetermined and self-directed. I’m still a little wobbly on that one, but I like its ability to embrace both theories at once.

I do like the thought of Arron up there guiding me in my decisions in a helpful sort of way, though I have to say that the encounters from beyond have dropped off dramatically since moving to Seattle. Perhaps I am just stronger now and need him less, which is a good thing. But I wouldn’t mind him dropping by a little more often.


Thank you for the interview...
If you would ever like to do a guest blog spot for the Mind Body Spirit Odyssey, we'd love to read more from you!
Abigail’s book is available through “Amazon”

You can also visit her website at http://www.abigailcarter.com


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Abigail Carter wrote The Alchemy of Loss: A Young Widow’s Transformation  after her husband’s death in the World Trade Center on September 11th, 2001. Toronto's Globe and Mail calls it “Eloquent and honest. . . and listed the book as one of it’s top 100 books of 2008.  A Canadian National Bestseller, The Alchemy of Loss is also published in Australia, the United States and translated into Dutch. Carter’s work has appeared in SELF magazine, Reader’s Digest Canada, MSN.com and MORE.com. Abigail moved from New Jersey to Seattle in 2005, where she now lives with her two children.


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Friday, February 5, 2010

Love, Friendship and Art: Smith and Mapplethorpe

We were sent some books the other day that had just been published. As I opened the box and flipped them over the majority of the titles didn't really interest me...except one. The book with the great cover photo of 2 kids standing at an amusement park. The title: "Just Kids" by Patti Smith.  "Just Kids" is a beautifully written memoir from artist/musician/writer Patti Smith in which she reflects on her relationship with artist Robert Mapplethorpe.

The book begins when the two were in their late teens and concludes with Mapplethorpe's passing. It is a simple, beautiful story about two people who connected with each other when they were young and naive, grew in separate directions, but still retained an inner, lasting bond that transcended way beyond sexuality and time.   Smith's writing is a melody. It sings and glides and dances as you turn the pages of the book. I started thumbing though the book in the kitchen standing propped against the sink...an hour later I looked up after my initial "quick read" with a big..." oh wow".

Regardless of what you may think of Patti Smith and Robert Mapplethorpe as artists, it's an undeniable fact they they defined a specific period of time in art and music history. They pushed boundaries and broke barriers. Their work forced people to open their eyes and their hearts. They also encouraged a whole generation of creative souls to express themselves more fully and completely. Anyone who is an artist, lived during that period of time or even have children who are currently artists, will relate to this book very easily. Others will simply enjoy a wonderful story about love, friendship and connection.

Although it may seem an odd choice to some, the reason I wanted to review "Just Kids" for the
Mind Body Spirit Odyssey  was because of the unstated, underlying spiritual questions it generated for me. Why are we connected to some people so deeply in life? What are the reasons that we are brought together with a specific person? To help each other? To complete a specific tasks together in this lifetime? To learn from each other? To set an example for other people? Break new ground? I don't know the answers...no one does for sure....but it is definitely an interesting subject to ponder now and again.

I really recommend this enchanting book.... Just Kids available at Amazon.
Ecco books/Harper Collins Publishers

~ diane

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Monday, February 1, 2010

Cairn Building


We recently profiled the work of jewelry artisan Mannybeads in the daily spotlight feature on our Mind Body Spirit Facebook Fan Page. It occurred to me after I wrote the piece that many people may not be familiar with what a Cairn is. I recalled a beautiful blog post that Manny had written some time back discussing Cairn history and how this exquisite art form relates to her work. Manny was kind enough to let us republish her piece.
Manny's wonderful jewelry can be found at:
Manny's Etsy Shop:  http://www.mannybeads.etsy.com


Cairns have been used for centuries as path markers and landmarks. I first happened upon them many years ago when hiking in the Green Mountains. There they are at service...courteously pointing the way when it might otherwise be unclear.
There is a place on Monhegan called "Pebble Beach" and Cairns there are intuitively stacked by visitors to artistic effect. The word "Pebble" is deceiving...The expanse of beach at this favorite spot for seals and the likes of us is filled with large, smooth, round, oval, and oblong rocks...big rocks. They are so perfectly smoothed from the passage of time, earth-plates shifting, and the infinite movement of water, water, water that you just want to wrap your body around them...especially if they've been soaking in the afternoon sun. They are the most beautiful rocks I have ever seen.
When we land on the island it isn't too long before we head for Pebble Beach. When we arrive at "Pebble" we have a ritual of looking for our favorites and shouting out to each other "here it is", "I found Mosaic Rock" or "here's Speckled Egg". After saying hello to old friends, propping them, adjusting them, removing the ever encroaching wild sweet pea, we almost unconsciously and silently begin Cairn building.
Sometimes my partners' family will join us. They have grown to love the island and they are delighted and appreciative Monhegan-ers and we delight in sharing it with them. They are an interesting tribe of creators, my in-laws...painters, mobile-makers, sculptors, writers...and Cairn-stackers. We often vacation together and share a love of rocky beaches, water and woods.
As a day spent on pebble beach is approaching it's twilight I look around me and see the most amazing rock-stacks. They are all around...stacks and stacks of rocks ascending from large, capable anchor to smaller stone, held aloft. I like to think that each of the cairns we create serves to mark these moments of our creative joy together and delight in the stacks as we wander about each to the others' smiling, complementing, asking questions about choice and technique and success at balancing a seemingly impossible stack. Of course there is also a bit of variation...Our physics inspired and mathematical artist Andrew will have inevitably created a number of perfectly balanced arches with a well-settled center stone marrying the left, and the right legs of the structure.
I am a happy soul amongst this group as my own "tribe" has no apparent fiber that leans toward the artistic. These folks are known to break into song, dance and poetic recitation! My mother in law never travels without a stack of poetry books, sketch pads and song books. It is deceiving, however...the heft of her bag would suggest she's well provisioned. Truth be told said "heft" rarely includes a stitch of clothing. Now we rely on her to bring the evening entertainment and we pack a few extra t-shirts and shorts.
My new Cairn designs are inspired by these art-spirited folk. They have helped to crack open my own artistic spirit in unabashed and delight-filled ways. I can't imagine better company for cairn building...or singing...or dancing...



Friday, January 15, 2010

The Art of Mehndi



My friend Peggy is the procurer of fabulous junk. Actually to me, it's more like treasure. I've talked about her before in my blog posts...giving the me the great box of old buttons. She's also been known to leave old books and bags of glitter and beads on my doorstep, or call and say "Hey, guess what I found, and I thought of you!".
Peggy called the other day to ask me a question. During the course of the conversation she told about how much fun she was having with her daughter and her friends doing henna tattoos. Serindipidous or not, I had just taken a book out of my reference library that I had on Mehndi. I had been practicing illustrations in my sketchbook during the evenings, eventually hoping to use some of the patterning on a Mandala I was working on.
On thing lead to another. I told Peggy I would copy some of the illustrations down and send them to her so she could use them on her daughter. I leafed through the book. Small book, but way to much information to copy and send to her. The descriptions of how to use the henna paste and the skin preparation tips alone were just fascinating.
I decided since Peggy is always so kind to me, I would go on Amazon and just have them send her a copy of the book to her as a gift. Deal done. She now has the book, loves it, and I know exactly what she will be doing with her daughter this below zero weekend!
Mehndi is the art of henna body painting. It has been practiced for five thousand years throughout India, Africa, and the Middle east. Preparations for painting the body are made from the crushed leaves of the henna plant. Whether it is done for for a celebration or special event, it is done with the intension that the act would engender good fortune, good feelings and happy results.
"Mehndi" by Carine Fabius, published by Three River's Press is digest size, 112 pages long. The book is divided into three sections, explaining the history and traditional uses of the plant, Mehndi application, and technique exercises. It's available at Amazon, both new and used.
Whether you are interested in adding it to your art or craft reference library...or simply just want more information about the application of henna, I'd check this one out. It's a little gem.

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Thursday, December 31, 2009

Ending the Calendar Year



I'm watching the snow fall this morning and thinking what a beautiful way it is to finish up the calendar year. Just watching the quiet...before it changes over to rain or the kids come out and tromp it all down attempting to make Snowmen (which is great in a whole other way).
In the practice of qigong, this is referred to as retreating into the energy of the North. Quiet, a rest time when we hibernate our thoughts and ideas... Turning our mental and energetic kettle on low, letting the flavors settle and rest together before developing into the new and bright energy of the Spring (East).
This is one of my favorite times of the year. Take advantage of it for what is is, not what you would like it to be. Remain in the moment, let yourself settle in and gently rework your plans and ideas. Allow yourself some quiet time, give your body permission to rest and take a breath before you charge forward into your next adventure.
Have a good new year...The Mind Body Spirit Marketplace wishes you well!
*photo copyright Diane Fergurson. It was taken a few winters ago in a park in New Jersey. Yes, bet you didn't think Jersey could be so stunning in the snow!

Mind Body Spirit Odyssey Book Review: A Witch's Halloween


A Witch's Halloween: A Complete Guide to the Magick, Incantations, Recipes, Spells, & Lore
By Gerina Dunwich
Provenance Press
You know there is much more to Halloween than jack ‘o lanterns grinning from windows, plastic bats hanging from rafters, and sticky spray-on spider webs crossing front porches. Halloween is also, of course, more than going trick-or-treating, bobbing for apples in the neighbor’s back yard, or attending a costume party. All of these elements of Halloween can be great fun, but there is meaning behind each one of them, and getting a glimpse into the origins of the holiday as well as the significance of the symbols, can be enlightening, and can enrich Halloween celebrations.
Halloween is probably the holiday with the most obvious pagan past. Gerina Dunwich is a High Priestess of the Old Religion and has authored many books on paganism, so her approach to Halloween is particularly instructive, informative, and insightful. She teaches first about the origin of the holiday, and in doing so, dispels common myths about paganism (or neo-paganism), Wicca, and other earth-based religions. For example, she quickly addresses the persistent belief that the devil has a place in paganism – in fact, paganism does not recognize such a concept. Although the devil is a popular costume at Halloween, it has only been a symbol of the holiday since the advent of Christianity. She explains how established country practices were misunderstood and manipulated, and ultimately, persecuted or banned, and when they could not be, they were altered to fit into the practices of a growing religious movement. Halloween truly comes alive when considering the background information that Dunwich provides. As a holiday, it has a rich history, and has been known by many names that have reflected its development over the years, and within various countries.
In addition to exploring the origins of Halloween, A Witch’s Halloween details fascinating superstitions, recipes, poems, rituals, myths, stories, games, spells, and beliefs, as they have been practiced throughout centuries. There are many that are worth incorporating into a modern celebration of the holiday, and there are also a few that might cause you to raise your eyebrows in surprise!
Tarot has a place in this book, of course. Divination is a fun pastime at Halloween, and for many people it is a meaningful element of their celebrations. Dunwich also explains how tarot might be used for meditation rituals that fit well with the holiday.
The book is written mostly from a witch’s point of view. Readers who already follow a related spiritual path will likely get the most out of the book, but it is certainly quite accessible to those who do not. It is a charming read that will enhance your understanding of this popular holiday.
a recipe from the book:
Samhain Cider
  • 2 quarts apple cider
  • 1/2 cup confectioner's sugar
  • 1/2 teaspoon nutmeg
  • 1/2 teaspoon cinnamon
  • 1/4 teaspoon ginger
  • 1/2 cup apricot brandy
1. In a large pot, combine the apple cider, confectioner's sugar, nutmeg, cinnamon, and ginger. Simmer slowly on low heat for about 15 minutes. Take care that the cider does not boil. Add the apricot brandy and then serve the cider while it is still warm. Refrigerate any leftover cider. Serves 8.
As of this posting, A Witch’s Halloween is on sale at Amazon!

~ Nellie Levine 
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Thank you to Nellie Levine for sharing this with us!

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The Ancestral Path Tarot Deck


The Ancestral Path Tarot, artist Julia Cuccia Watts, author Tracy Hoover, publisher US Games
The Ancestral Path Tarot is one of the most unique sets of tarot cards I have ever seen. Usually, I see decks having only one common theme or look (celtic, fairy, gothic, etc). While The Ancestral Path Tarot does have its theme of the path you take (or may take) and the journey and evolution of problems and situations from their causes to their conclusions, what really sets this deck apart is that, unlike most decks, each suit in this deck has its own look and story.
In this deck, we are treated to four different cultures and eras. The Swords are based on Feudal Japan and Shintoism. The Staves are based on Ancient Egypt, specifically the 19th Dynasty of Ramses II (1304 BC - 1247 BC). The Cups are based on the Arthurian Legend and the Holy Grail. The final suit, usually referred to as rings or pentacles, is this time referred to as Sacred Circles, and is based on Native American culture. An example of each can be seen here:
By using four cultures from four different areas (one North, one South, one East, and one West) and four different eras, it does allow us to feel connected to the whole of existence. We are shown that, no matter what time you lived, what culture you belonged to, no matter who your ancestors were, we are all alike in that we all walk the same paths in the search for understanding. This is best represented in the 22 cards of the Major Arcana, which blend the images from all the suits together, leaving some to feel cross-cultural, some multi-cultural, and some with no culture. While the Major Arcana, on the whole, tend to stay close to the images tarot readers are most familiar with, there are a few exceptions. The most notable is The Hanged Man, referred to in this deck as “The Hanged One”. In this deck, The Hanged One is shown as an inverted fetus still in the womb, a most stunning image:
Another interesting difference between this deck and most decks is that in this deck, there are no reversals. Cards are only given one meaning each. I suppose an expert reader could interpret the reversals as they saw fit, however, for the beginner, this is a good way to get familiar with doing reads and learning the cards, giving them just the one meaning.
Speaking of experts and beginners, this deck appears to have been designed with both categories in mind. While, on the surface, many of the basic images are easy enough to understand, especially for those with experience with other decks, if you look closely at many of the cards, there are tiny details you might overlook. The experienced eye and reader will be able to add these images for a much more layered and in-depth analysis. The idea that you should look deeply into the hidden symbols and images is portrayed almost tongue in cheek by the creator of the deck. In The Fool, she actually uses her own image for the card:
However, if you look closely, you can see that the card she is holding up is The Fool, and it has her image on it. That kind of “image within an image” is an invitation to observe the cards very very closely, and down to the most minute detail. Experienced readers will find many tiny, almost hidden images within the cards, allowing you extra layers with which to do your reading.
This deck also offers up new spreads for these cards, as well as new takes on classic spreads. Two new spreads work very well. The first is a Direct Path Spread, in which cards are laid across the table in a line (the photos shows it isn’t a straight line, as most paths wind a little, so some cards are slightly higher and slightly lower than others. This spread is used to show the progression of a problem, issue, or decision from its history, to its current path, to its conclusion, ending in a springboard to the next circumstance/problem/issue/path.
The other new spread worth mentioning here is a Fork In The Road Pattern, in which, after laying out a card for the influences on the issue, and the current state of the issue, the reading breaks off into two forks, giving you two possible paths and two possible outcomes, so you can see the progression and consequences in each of the two choices you face in resolving your question. Seeing both paths, and both possible outcomes will give you a better insight into what your decision will be.
The imagery in this deck, combined with the uniqueness of the four cultures in the four suits makes this, truly, one of the most beautiful and unique decks I have ever seen.
For further studies into tarot reading, I recommend the books currently sitting in my reading/study pile:
Thank you to Giani for this great review

You may also enjoy:
Sun and Moon Tarot Review
Vampires of the Eternal Night Tarot





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Autumn Blessings and Balance


I’m not sure what excites me about this time of year. On one hand, I feel a hesitative approach to fall, as the days grow colder and I know that soon I will need to order oil to heat the house, and (sigh) get the snow shovel out, and I almost wish I could slow the progress to the colder months of the year. But, on the other hand, my soul is stirred by the crispness of the air, the clearness of the sky, the urgency of the birds – I see more woodpeckers these days and hear more blue jays and crows in the trees. There is a wildness all about, as leaves begin to change their colors with sudden abandon, and are carried in circles by the wind, to the ground.
With the autumnal equinox (or Mabon, as many pagans call it), light begins to die, as the days become shorter and darkness grows. But with these shortening, cooling days, we are provided with sustenance and security. Pumpkins and apples, corn stalks and hay bales – these symbols of fall offer comfort, as do the rich fall hues of orange, gold, red, and brown, the delicious aromas of slowly baked and roasted foods, and the warmth of ovens and wood-fires. We are nourished with deep goodness, to face the dimming days, to accept and understand darker aspects of the natural cycle of birth, life, death, and rebirth.
The autumnal equinox is a harvest holiday in pagan traditions, and as such, is a wonderful time to put on a feast featuring locally grown foods, expressive of thanks for the abundance we have been given. It is also a great time to allow balance in one’s life – as day and night are equal on this day, so might we find equilibrium within.
The beautiful artwork illustrating this post is Golden Afternoon Meditation, an original painting by ZenBreeze Art Gallery.
If you are interested in reading more about the autumnal equinox as a holiday, please see these books at Amazon:

An Introduction to Tarot


Tarot has been a part of my life, to some degree or another, since I was thirteen or fourteen years old. My first deck was given to me by a friend of my father’s – she was a reference librarian I also knew from her regular “shushing” of me and my friends. She adored B. Kliban cats, watched British comedies, and sang in the choir of her Episcopalian church. She was not exactly the kind of person one might expect to gift young teens with tarot decks. But, the truth is, tarot is often misunderstood, and those who have an interest in it often fall into some pretty silly stereotypes.
When you think of tarot, you might think of cards you have seen in movies or TV shows. Often revealed by a fortune teller wearing jingly bangles and colorful scarves, are the Death card, the Tower, perhaps the Hanged Man or Three of Swords. Any cards that have ominous illustrations are favorites, because they tend to elicit a gasp, as well as immediate fear for the character receiving the tarot reading.
Although the suspense may be engaging, this portrayal of tarot is off the mark, unless at a carnival or festival when one is looking for mere entertainment. Tarot today is not generally about fortune telling, and is more often found in the offices of forward-thinking counselors than it is in the exotic tents of “gypsies.”
Far from spooky, the tarot is simply a deck of seventy-eight cards (the number of cards may vary), illustrated with images full of symbols that evoke response. Our response to those symbols may be emotional or rational, based on personal memory or experience, on what we have learned, or on societal conditioning. Additionally, symbols in tarot generally do carry with them rather specific meanings that we should take into account. For example, a star symbol will be recognizable to all of us – for each person, the symbol will have its own meaning – or perhaps none at all, which might affect how we feel about the card. But, appearing on a tarot card, a star will also have its own meaning, or meanings… depending on what the designer intended, as well as what it might mean historically and metaphysically.
Tarot today can be helpful in sorting out our personal messes, to put it rather bluntly! Turning to the cards is simply another way of gathering some advice – advice that we find in reflecting on symbols and images that are often cross-cultural, and therefore somewhat universal and timeless. This symbolic language makes sense to us. We can find meaning and insight in the cards that can help us make decisions regarding our daily lives. Readings can help us gain understanding about ourselves and the challenges we face. I personally do not believe there is any power to the cards – the power to discern and interpret meaning is our own, the power to apply what we learn to living better lives, is also our own.
If you are interested in learning more about tarot, I’d like to suggest some books you might enjoy. We plan on offering a blog series on tarot here at Mind Body Spirit, so please let us know if there are any specific topics you would like to see discussed.
Recommended Reading:
Seventy Eight Degrees of Wisdom by Rachel Pollack is an in-depth exploration of tarot that is accessible to beginners, and it offers significant insight to seasoned practitioners as well. Another book by Rachel Pollack is Complete Illustrated Guide to Tarot offering a general outline of tarot, the history of tarot, standard meanings of each card, and ways to use the cards in readings.
Mary K. Greer’s Tarot for Your Self is a workbook designed for the beginner. If you like learning through self-directed exercises, this may be just the book for you.
Pictures from the Heart – A Tarot Dictionary, by Sandra A. Thomson, is a great book to have on hand to look up the possible meanings of specific symbols on the cards.

Lughnasadh Blessings



A few days ago I was listening to tall grasses swaying in the wind. As they brushed together in harmony, they created what sounded like gentle music – like the subtlest harp strings or the quietest chimes. The sound brought serenity and a sense of surety. My mother used to collect such grasses, and placed them in tall handmade glass and ceramic vases, that she then arranged on the floor. Thinking of it now, it strikes me that her favorite plants were of this season… the stalks and reeds of a length that reflect the growing long of summer, Black-eyed Susans that dot fields and brighten back roads, meadow flowers in rich colors, gathered by the armful.
August 1st marks the beginning of the festival of Lughnasadh, an ancient Celtic harvest holiday. It was the time to gather ripe grains, especially wheat and oats, and time for berries and apples. Lughnasadh wasn’t all about working the fields and orchards though… celebrations included games and sports akin to the Olympics, fairs that boasted fine artisans and entertainers, the crafting of ritual items and making of magic. Deities were honored – the name of the festival comes from the Celtic sun god Lugh, known as “the shining one,” and patron of craftspeople. The fertile goddess of the earth might also be praised at Lughnasadh. The deities were honored for their life-giving energy, and the abundance they brought to the land.
As we acknowledge the beauty of the seasons today, we might not honor old gods such as Lugh, but we can certainly treat with reverence the gifts of nature. We can enjoy the music of tall grasses and collect the wildflowers of deep summer. We may not gather the grain but we can work grain, flour, and seed into bread. We can create beautiful altars that express our gratitude for what we have been given. And we can certainly embrace the heat of August, play games in the sunshine, and for all of us here at 1000 Markets, offer our handcrafted items with spirit and joy!
Thank you to PattyMara and her "BIG Blessing Bowl "Sunspot""
Sources and further reading: “The Sacred World of the Celts” by Nigel Pennick ,“Witchcraft Medicine - Healing Arts, Shamanic Practices, and Forbidden Plants”: http://www.amazon.com/exec/obidos/ASIN/08928197..., by Claudia Muller-Ebeling, Christian Ratsch, and Wolf-Dieter Storl The Celtic Book of Days, by Caitlin Matthews Celtic Mythology, by Proinsias MacCana The Celtic Realms, by Myles Dillon and Nora Chadwick
~ Nellie, BlackRabbit

Intention...More on the Subject


I know that everyone is anxious to read part 2 of the Qigong interview, but I woke up this morning thinking about "intention" and a question that someone had ask a while back in the forum discussion.
So I decided to do some quick Google research on the subject, for a good explanation of what in meant by "intention". By juggling some "key words" around, it's interesting that primarily two different but still similar views pop up. The business perspective, which countless corporate seminars have been built off of, and the more spiritual approach.
Although it's done in a very subtle manner, the business perspective often tends to be more connected to setting an intention to achieve a tangible, concrete goal in the end. Stronger then an affirmation, it provides almost a purpose or a road map to stay on course towards the desired outcome.
The spiritual perspective leaves a lot more space for universal wiggle room to help shape the course of the outcome. There are also many times, for example when creating a particular product or piece of artwork... that prayers, and high vibrational thoughts and feelings are projected into the work by the artist for healing and peaceful purposes. I know that there are many artists in this marketplace who do that with their work.
Whether the intention is for spiritual or business purposes, the one common factor is that once the intent is placed, the person needs to let it go so that it will come back to you. The act of letting go detaches the person from the outcome...releases the energy so that it can flow back to you. (as your original business goal or spiritual purpose) Letting go or detaching is a purposeful action; yet once you do it your need is gone and replaced by a calm certainty that it will work out the way it's meant to. It's kind of like throwing grass seed out in the lawn and seeing what happens. You still water it to help it along in it's growth, but it's basically on it's own.

Below is a good explanation of intention from a spiritual standpoint. It's taken from the Chopra Center website online. I hope we can continue our discussion in the forums on this subject. It's been one of our most popular topics. I'm going to re-post this back in the forums and lock the comments here. Have a good weekend everyone!
 
“You are what your deepest desire is. As your desire is, so is your intention. As your intention is, so is your will. As your will is, so is your deed. As your deed is, so is your destiny.” ~ Upanishads
Intention is the starting point of every spiritual path. It is the force that fulfills all of our needs, whether for money, relationships, spiritual awakening, or love. Intention generates all the activities in the universe. Everything that we can see – and even the things we cannot – are an expression of intention’s infinite organizing power.
As the ancient Indian sages observed thousands of years ago, our destiny is shaped by the deepest level of our intention and desire. Once we plant the seed of an intention in the fertile ground of pure potentiality, our soul’s journey unfolds automatically, as naturally as a bulb becomes a tulip or an embryo becomes a child. With this issue of Namasté, we invite you to explore the power of intention and harness it for deeper fulfillment.
~ Diane Fergurson



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Qigong: An Interview with Joanne Kornoelje (part 1)

Around 8 or 9 years ago I was experiencing some unusual energy imbalances in my body. I innately knew that it would be useless to consult a physician (although I would not recommend that to others)…that my energy just needed to be “evened out”. Although knowledgeable in other areas, I was pretty unfamiliar with Chinese Medicine and the various practices associated with it….but somehow I felt that my problem would benefit from taking a T’ai chi class.
I really didn’t want to get into the whole marshal aspect of the practice, so I signed up for an intro class at our local evening adult school, hoping it would provide me with a good foundation and introduction to the subject. Well, to make a long story short…it turned out to be a qigong class instead of a T’ai chi class. There was also a completely different teacher…Joanne.
It’s interesting how life works out sometimes. Meeting Joanne and studying with her opened up a whole new energetic perspective and understanding for me, influencing not only my personal life but eventually my artistic endeavors as well. Although I have had additional instructors over the years, each bringing their own unique style and meaning into the practice, Joanne laid the foundation. A very, very strong foundation.
Joanne Kornoelje is an Associate of the Healing Tao and has been practicing t'ai chi, qigong and meditation for over 20 years. She has taught for over 10 years with students ranging from 9 to 90. I’d also like to add that Joanne is a science teacher. Her ability to convey energetic movement as it relates to the human anatomy is quite extraordinary, and her guided qi meditations are simply beyond compare.
                                                                                                                      ~ diane fergurson

What is qigong?
Trying to quickly capsulize qigong is not so easy. Basically it's a system to move and balance your internal energy (qi). The classic Chinese idea about health is that your qi - your energy - moves in channels throughout your body. Each of your organs has its own channel, and there are larger channels that function something like major rivers or reservoirs of qi. Comparing your channels to flowing water is a useful metaphor. When streams in the forest get clogged with tree limbs and other debris, the flow of water stops. An intervention is necessary to get it moving. When the spring melt comes, the streams can overflow their banks, causing another unbalanced situation. The same thing can happen with your energy channels. When your channels get obstructed, or are trying to cope with an excess flow, pain or illness can be the result. The classic Chinese doctor would then prescribe acupuncture, herbs, meditation, t'ai chi, massage or qigong (or some combination) to restore you to balance.
What is your background? How did you get involved with qigong?
I started taking t'ai chi for no discernible reason in our local adult school held at the High School in 1987. This gave me the foundation that I still rely on today. From there I found teachers at the local Y and a municipal recreation center. Once you start looking there are opportunities all around. I also took advantage of many workshops offered along the way. Workshops will often be advertised at health food stores, holistic health centers or in free newspapers. You can also find out about more through T'ai Chi Magazine or the Empty Vessel (a Taoist magazine) or on-line inquiry. There are also regional annual get-togethers with t'ai chi and qigong instruction, sponsored by different relevant associations or schools. You may have to try a couple places before you find something that works for you.
All teachers are different, and students need to be proactive in finding a situation that benefits them. I got involved with the Healing Tao in the mid-90s, which added a more esoteric understanding to the t'ai chi process. I've been teaching since then: t'ai chi, qigong and meditation. I've taught children from 4th grade to 8th grade, adults, and also adults in assisted living centers.
What is the difference between qigong and T’ai Chi?
T'ai chi is often referred to as a form of meditation in movement. This is the same for qigong. T'ai chi and qigong come from the same root. The primary difference is that t'ai chi is a martial art. It is what is known as a "soft" style, as opposed to karate (for example) in the hard style. T'ai chi infiltrates and wins by being deceptively soft, but always searching for the moment when the opponent is off balance. A good t'ai chi player will take advantage of that moment, and uproot the opponent, while staying rooted herself. The movement in t'ai chi is also slow and repetitive, but with the added dimension of stepping (which does not occur too frequently in qigong exercises). Naturally you do not have to practice t'ai chi as a martial art - you can simply learn the moves and do them as a qigong exercise - for health and relaxation by actively participating in your internal energy flow.
I practice qigong as a preventive medicine to keep my energy balanced and flowing, and also as a way to stay focused and grounded in this life on this planet. The practice has movement - slow and repetitive which chips away at our preconceived ideas of what exercise "should be". The practice also can be stationary, meditations which focus the mind inward, connecting with your body deep inside and encouraging balance there.
End of Part One...

Part Two....

Other related posts:
From Jing to Qi to Shen, An Interview with Healer Darren Orr 

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For additional reading, two very informative books are: The Way of Qigong by Kenneth S. Cohen, foreword by Larry Dossey, M.D. Also, The Healing Promise of Qiby Roger Jahnke, O.M.D.
artwork by Diane Fergurson

Qigong: An Interview with Joanne Kornoelje (part 2)


-- Yoga and qigong both deal with energetic movement and esoteric issues, but yet they are also quite different. Often people will study yoga for years but have never heard of its counterpart. Can you elaborate on that?--
Actually I think the root yoga and qigong are all about the same thing - keep the energy moving. I again do not have much experience with yoga - although I have been taking a kundalini class now for a couple years. The movements are different, but the intent is the same.
Yoga is more popular than I think qigong will ever be - at least in the foreseeable future. I think part of the issue is that yoga appears more familiar - at least in set-up, and as more people do it, a newcomer loses the trepidation of starting something "weird". To my eye it seems more similar to standard aerobic gym classes with a set of exercises not necessarily joined with a connecting theme. Much of the language going along with the class depends on the instructor - I'm not saying there is no connecting theme, just that the instructor may not be comfortable with talking about it in a certain setting. And it can be that the teacher doesn't know or is not interested in the more "invisible" or esoteric side of the work. That can be the case with qigong as well.
Qigong has only recently gained more momentum in the "fitness" world. T'ai chi was the art most instructors were offering, and that looks much easier than it is. It is a set of moves - a "form", like a karate "kata" that requires practice and understanding of body mechanics for what seem to the onlooker to be very simple moves. My thought is that many people started t'ai chi with interest and high hopes, and assumptions that something that slow had to be quick and easy to learn -- and found out it wasn't so, and dropped out. Instructors could also tend to be teaching in the Chinese style - that is, not explaining what was going on, just expecting the students to do what was told. We, in the US, do not enjoy that lack of information. By the way, this has changed dramatically as more and more senior U.S. instructors have captured students through video, as well as personal instruction. While qigong has come a long way in the media in the last 20 years, it certainly does not have the name recognition yoga does. I don't know why!
-- You mentioned that after you became involved with the Healing Tao that you understood the whole esoteric component connected to the practice. To me, studying that is just as important as the forums and exercises themselves. Can you talk a minute about the esoteric component to qigong?--
I certainly don't want to give the impression I know the "whole esoteric component" of anything! Part of the reason I enjoy t'ai chi and qigong is that it is a never-ending study. As you come to understand something, you realize it opens up a whole new avenue of exploration.
Qigong is rooted in Taoist philosophy. It shares many of the ideas that Buddhism made popular in the west, but differs in one major way. In the Taoist idea, we are here on this planet to BE here, not to try to find an escape. Being here is full of challenges, as we all know. Practicing t'ai chi shows you how to move to deflect the challenges, to relax into the present and stay rooted in yourself. T'ai chi mastery is seen when the energy of an individual is so powerful that just by being in a place, the "vibe" (as we would call it) shifts and productive work can be done.
Qigong is a method to help discover yourself. As your focus and movement slow down, and become deliberate and intentional, so too does your mind, and then ultimately, so too does your spirit. You begin to re-establish contact among these parts of yourself.
As a more specific example, the system in the Healing Tao asserts that each of your five primary Yin organs has a consciousness of its own, and has its own set of attributes, including color, emotion, sound, familiar animal, linkages to the physical body, and more. The meditations encourage You, your mind, to get in touch with your organs, understand them and nudge them to work more as a team than a set of 5 individuals going their own way.
Many people work only with the esoteric side - they get interested in the meditations and never move to the movement piece. I started with movement and got into the meditations. I am sure there are qigong and t'ai chi practitioners who do only movement. There is benefit everywhere - the more focus you bring the more benefit there is.
-- After studying qigong for a while I was inspired to create a series of paintings depicting the theme "Connecting Heaven and Earth". Can you explain about the connection and balance of heaven and earth chi?--
A big feature of the Chinese classics is the balance of Heaven and Earth. Heaven is seen as the male essence, creative, outward oriented. Earth is seen as the female essence, nurturing and inward oriented. In the yin-yang sign, Heaven is the light color, Earth is the dark color. Notice in the yin-yang that within Earth there is the circle of Heaven, and vice-versa. Each has consciousness and desires to move to wholeness. They need each other to reach that state, and the human is introduced as the means to connect them, sort of like a lightning rod that works both ways. In some specific qigong forms we've worked with, the intention is clear. One move is called "Bring Down Heaven Qi", and another is "Bring Up Earth Qi". Without the human to facilitate this, would it be possible? Who knows?
-- Finally, one of the last classes I took from you, you were working on a system of using yoga mudras (hand gestures) and combining them with the qigong healing sounds. It was an interesting process. Can you explain about that a little further? What are the healing sounds and how are they used?--
The healing sounds relate to the 5 organs I mentioned before. The sounds can be used to relieve stress on a certain organ system, sort of like humming to your child to calm it. The sounds are not difficult chants, simply syllables which can be used out loud for physical conditions, or in your thoughts for energetic issues.
There are many physical exercises as well that relate specifically to the organs. A friend of mine, Andrena Bonte, an acupuncturist, had developed a series of mudras which also related to the organs. I thought it would be interesting to put all this together in a series following the organs through their daily active cycle, using physical exercise, mudras, meditation and healing sounds to really get in touch with what's inside us. One of the big ideas (in my mind) in t'ai chi and qigong is that we work from the inside out. In other words, we work on the organs inside us, and the rest will take of itself. This in direct conflict with the normal western approach of getting rid of the flab, or developing muscles, or deliberately stressing the heart through approved cardio activity.
*Joanne Kornoelje is an Associate of the Healing Tao and has been practicing t'ai chi, qigong and meditation for over 20 years. She has taught for over 10 years with students ranging from 9 to 90.
'Life is not the way it's supposed to be. It's the way it is. The way you live it is what makes the difference.'
artwork: "Connecting Heaven and Earth: Through Time" by Diane Fergurson

Part 1 of Interview

Related posts:
From Jing to Qi to Shen:  An Interview with Healer Darren Orr




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